剧情介绍
康沃尔渔村的得意明信片故乡诗误导了人们。固然往日垂钓是一种养家生存的办法，但此刻富裕的伦敦乘客纷繁下山，代替了本地人，本地人的生存所以遭到恫吓。史蒂文和马丁伯仲的联系也很重要。马丁是一个没有船的渔人，由于史蒂文发端用它来为一成天的乘客供给更获利的旅行。她们卖出了这座家园山庄，此刻可见，结果一场战役是和新主人在海边的泊车位上打开。但是，情景很快就失控了，而不只仅是由于轮子夹钳。Bait是一种口角，细工创造，16毫米软片创造的影戏。很多对于鱼、网、龙虾、长靴、绳结和渔篮的特写画面让人想起了蒙太奇新景点的表面。对各别社会阶级的刻画——不妨说是阶层联系——也让人想起了英国影戏中的社会实际主义保守。但是，最要害的是，在印象中各别档次的影戏汗青参考文件之下，暂时很多政事关系正在等候被创造。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
电影《诱饵》是2019年由：Morgan Val Baker,Georgia Ellery,Martin Ellis,Chloe Endean主演的剧情片。《诱饵》电影完整版免费在线观看地址：www.nmgrv.com/nmbo/TtsCCS.html由柠檬影院在网络收集并分享发布，仅供用于学习和交流。
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